There are several different areas an individual needs to be proficient in in order to effectively intimacy coordinate a film while reducing harm. While each…
Continue reading → What Qualifications Should an Intimacy Coordinator Have?
In the essay “Visual Pleasure and Narrative Cinema,” Laura Mulvey structures her argument around two crucial ideas, titled “Pleasure in Looking/Fascination with the Human Form,” and “Woman…
Deepa Mehta’s film Fire is the love story of two sisters-in-law from New Delhi, India. The first, Radha, is the barren wife of Ashok. She has been in a…
Continue reading → Gender Construction and the Gaze in Deepa Mehta’s Fire
In Don Roos’ The Opposite of Sex, two narrators fight to tell two different stories in the course of one narrative. The first narrator is…
Continue reading → The Victor Writes the Story: Interpreting Narrations in The Opposite of Sex